Back-flipping on a trampoline, feel the wind gasp at the hairs on your
neck and you hit grass with your back. You pay the price whether it be through
injury or sanity, savagery or just
seconds wasted, that moment when u slid down against your seat in your car just
low enough so your head can poke out like that unwanted too small sweater
knitted by grandma for Christmas and u cry, u cry bolts of tears and u break
down enough that people thought u painted for a living and Satan even had pity
for just a nanosecond. The moment where
everything just shadows in comparison of that moment when u felt like u were
high off life, the bright lights of Manhattan or the smells of Italy and the
tastes of Brazil. Your pheromones felt like a tribe of fireflies came together
and buzzed the national anthem because of that moment.
Sunday, November 17, 2013
Improv. 3 (Week 12)
Pigs flying,
more like coasting along on gale winds with geese flocking from early winter
migration. How does it feel to be a pig with wings staring into the Atlantic as
it shoots back dark stares? Hoofs frantically shifting back and forth. Behind
me is the farmer, shaking his three pronged sticks at me. There is my muddy
prison, and in front of me is freedom. Can I fly, be fleet of foot and reach
the land I love? He said to not aim for the sun and be too lofty. I'd be bacon.
Improv. 4 (Week 12)
He writes.
Long paragraphs about how ink never seems to leave the page and how it always
forms the same strides as it journeys further into the page. How with each new
word a page seems to grow wider and get harder to keep going. Of course this
was a story, a thinly shaped novel about how the world works. How it seems to
lash out and violently caress its inhabitants with each passing revolution. It
was about how the world can be viewed through such a narrow scope like a pen
gauge and falls short when the nib runs out of ink.
Saturday, November 16, 2013
Improv. 2 (Week 12)
A lil more of the continuation from my first improv., warming up:
I'm trying to be more of Alissa daily and increase my love for the lord but its hard when perfection is the image and the scrimmage is no more than the devils present offensive starin me down and I scream hike...high, is how much I wish that those wings you sketched would levitate me past the bonds of a unlived life, of the life non-altered by offerings and capture a relic from my ancestors that would allow me to spit what comes natural. I will not I will not I will not I will not now be the belief that spurs my skin into disbelief that my soul is no black hole, it is a holy blackness that deserves to be preached for, reached for like aborted babies clambering their way to heaven. Or animals whose owners twist their fragility. I'm open...i will not I will not I will not I will not now this right instance be...me
I'm trying to be more of Alissa daily and increase my love for the lord but its hard when perfection is the image and the scrimmage is no more than the devils present offensive starin me down and I scream hike...high, is how much I wish that those wings you sketched would levitate me past the bonds of a unlived life, of the life non-altered by offerings and capture a relic from my ancestors that would allow me to spit what comes natural. I will not I will not I will not I will not now be the belief that spurs my skin into disbelief that my soul is no black hole, it is a holy blackness that deserves to be preached for, reached for like aborted babies clambering their way to heaven. Or animals whose owners twist their fragility. I'm open...i will not I will not I will not I will not now this right instance be...me
Improv. 1 (Week 12)
I find that sometimes just typing until I can't anymore helps me process a new draft, so I decided to make a new canvas
I will not I will not I will not I
will now, I will not..this is how the last sentence of every poem I've ever
breathed came out. I will not move, hand like bloody pomegranates struggling to
paint a canvas like an etch and sketch, I will not breathe, breath the quiet
martyr author asking why I covet the decodings of the bible in whisper, u
mentioned that its a situation of a reoccurring rendezvous I respond that
between the both of us liquor brews in the pits of our stomachs waiting to
ferment all the deep shit that spit and split the canvas wide open. I will not
I will not I will not I will not I will not Continue to be a mockingbird
flocking to the legs of unpromised chains that bind my thoughts in inception,
bullet holes worser than unfinished products and your unfinished projects are
merely Mona Lisas in the making.
Thursday, November 14, 2013
Critical Commentary (Week 12)
This weeks critical commentary will be finding about finding the balance between this narrative way of telling poems and trying to merge them with this musicality of spoken word. I find often when I'm listening to people perform poetry they lean closer to the music side of writing instead of a narrative (using rhymes to get to the end of a line or some gimmick that will keep the audience interested), very rarely will a performer get on stage and tell a story and keep the crowd hooked (a sad revelation but a true one) because its just talk. I'm wondering how to merge this music, the idea of singing a poem or a piece rich in technique or practice with a piece that has narrative, that is trying to unravel a thought or a small image to the audience and keep them hooked all along the way. I'm wondering if such a thing could exist or if that's what serious performers of poetry are striving for even now. Seems like its a long term goal instead of a short one anyways.
Junkyard Quote 2 (Week 12)
"Flowers are the playmates of our youth." Richard H Dana, The Poetry of Flowers
Sunday, November 10, 2013
Improv. 5 (Week 11)
The world is
cruel, a sick joke like baby bottle full of brandy at a baby shower. New
kittens in dog houses Brand name babies from Mattel or fresh wheat milk from
organic cows. The embrace of death, not sick enough, more like first mates in
mental health or the idealism about how the world spins. How dark days always
seem to end with bright nights. May the man who learned that dust bunnies and
lint knots are true bliss, be awarded 10 Nobel Piece prizes. Of skin cells buried inside of seams of jeans
and locks of hair that whisper and arguments that tears at skin with quiet
strings are honored. Small enough to acquit murders and big enough to generate
chaos.
Improv. 4 (Week 11)
I waited for
you. For the mailman to deposit a letter in my hand made mail slot every day
since you walked out. Today was that day I hoped. That he would hand me an
ivory card with gold stamps pressed on the edges that had the reek of
dandelions and filthy socks, that was your style. That the mailmen would say that no return address would be
found and that it was post marked for ten years after the day you left .
Scribbled in Pig Latin, the words you struggled to teach me for 2 days, then
another ten to memorize were jotted down in immediate fashion. The message
said” keep studying”.
Subscribe to:
Comments (Atom)